I am an artist–designer exploring the boundary where nature and human sensibility meet, through sculpture, installation, and paper-based forms.

My work develops around the concept of Sensory Ecology — an artistic ecosystem in which human perception and the rhythm of nature reflect and circulate within one another.

I mainly work with Hanji (Korean traditional paper made from mulberry fibres) and stone, exploring the coexistence of hardness and flexibility, intention and chance, the artificial and the natural. Hanji, made from the bark of mulberry branches that regenerate each year without cutting down the tree, is a cyclical material symbolising a sustainable relationship between nature and humanity.

I focus on the subtle rhythms of light, texture, and time, creating spaces that allow viewers to pause and sense the relationship between the natural and the human.